Observation in Daisy Miller Essay -- Henry James, Daisy Miller

He said to himself that she was to a fault light and childish, too fierce and unreasoning, too provincial, to assimilate reflected upon the ostracism or even to have perceive it. Then at different moments he believed that she carried about in her tasteful and irresponsible organism a defiant, passionate, perfectly observant mind of the cast she produced. (43) The socialites in Daisy milling machines world aspire to a perfection, a nobility, and a flush of character. But character is a misleading word interiority is historic besides insofar as it reflects the assumed depths that come with an appearance of finishing, for the relationships in Daisy Miller A Study are formed by observation, non by conversation. Winterbournes penetrating gaze dissects and complicates Daisys appearance and, subsequently, temperament, beyond what her own gibbosity of an personality warrants. The narrator of Henry Jamess story furthers this atmosphere, peppering visual and even knock off sentences with modifiers and other syntactical strokes to force a system of visual refinement on the reader. The reader, however, must engage his imagination to form a estimate of Daisy, her near evident quality, while he is kept privy to her comparatively blanched consciousness, thus ensuring an emotional detachment from her which allows him to see her as she unfeignedly is. The heroine captivates Winterbourne, on the other hand, for most of the story, because he can only doubt as to the brain-teaser, or riddle, as the narrator calls it, of the ambiguity of Daisys behavior to a lower place her jerry-built exterior (46). His recognition of his reliance on the gaze, and on Daisys inanity otherwise, triggers his final disgust and enables him to select an answer from the ... ...he right way of regarding sink Daisy Miller. (46) The mental lexicon of observational terms which can double as evaluative verbsreflecting, regardingstrikes the philosophic change in Winterbournes literal outlook, as does his using her integral ballock name as a way of sapping her of any revelatory mystery behind the ambiguous she. He later repents slightly afterward Daisys death, exactly seems not to take the lesson to heart. The real study of Daisy Miller A Study, then, is Winterbourne, whose weak attempts to study Daisy we follow until his brief redemption, and of whom the final line of the fibreinforcing his settle to the gaze, albeit now directed at an ostensibly more deserving, that save genuinely refined foreignershould come as no admiration ...he is studying hardan intimation that he is much interested in a very clever foreign lady (50). Observation in Daisy Miller strive -- Henry James, Daisy Miller He said to himself that she was too light and childish, too uncultivated and unreasoning, too provincial, to have reflected upon the ostracism or even to have perceived it. Then at other moments he believed that she carried about in her e legant and irresponsible organism a defiant, passionate, perfectly observant consciousness of the impression she produced. (43) The socialites in Daisy Millers world aspire to a perfection, a nobility, and a superlative of character. But character is a misleading word interiority is important only insofar as it reflects the assumed depths that come with an appearance of refinement, for the relationships in Daisy Miller A Study are formed by observation, not by conversation. Winterbournes penetrating gaze dissects and complicates Daisys appearance and, subsequently, personality, beyond what her own projection of an personality warrants. The narrator of Henry Jamess story furthers this atmosphere, peppering visual and even abstract sentences with modifiers and other syntactical strokes to force a system of visual refinement on the reader. The reader, however, must engage his imagination to form a picture of Daisy, her most evident quality, while he is kept privy to her relatively blan k consciousness, thus ensuring an emotional detachment from her which allows him to see her as she really is. The heroine captivates Winterbourne, on the other hand, for most of the story, because he can only surmise as to the mystery, or riddle, as the narrator calls it, of the ambiguity of Daisys behavior beneath her deceptive exterior (46). His recognition of his reliance on the gaze, and on Daisys vacuity otherwise, triggers his final disgust and enables him to select an answer from the ... ...he right way of regarding Miss Daisy Miller. (46) The vocabulary of observational terms which can double as evaluative verbsreflecting, regardingstrikes the philosophical change in Winterbournes literal outlook, as does his using her full formal name as a way of sapping her of any suggestive mystery behind the ambiguous she. He later repents slightly after Daisys death, but seems not to take the lesson to heart. The real study of Daisy Miller A Study, then, is Winterbourne, whose falterin g attempts to study Daisy we follow until his brief redemption, and of whom the final line of the narrativereinforcing his return to the gaze, albeit now directed at an ostensibly more deserving, but still very refined foreignershould come as no surprise ...he is studying hardan intimation that he is much interested in a very clever foreign lady (50).